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Adam Devonshire

Music Venue Trust2024-05-09T15:00:21+01:00May 9th, 2024|

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musicvenuetrust

UK registered charity which acts to protect, secure and improve Grassroots Music Venues.
We are deeply saddened to hear that Paul Jackson, We are deeply saddened to hear that Paul Jackson, owner of The Adelphi Club in Hull, has passed away. Paul was, quite simply, one of the finest grassroots music venue owners this country has ever known. The Adelphi Club is more than a venue. It is a lifeline for artists, a home for communities, and a cornerstone of the UK’s live music ecosystem. That is Paul’s legacy. For decades, he dedicated himself to giving artists a stage, often long before the rest of the UK was paying attention. Generations of musicians found their footing in his venue. Countless fans found belonging there. He held a space that mattered. In 2019, Paul was recognised with Music Venue Trust’s Outstanding Achievement Award at Venues Day, presented by KT Tunstall and Steve Lamacq. It was a moment that captured what so many already knew. His contribution to grassroots music venues was profound, unwavering, and deeply felt across the entire sector. This is a loss that will be felt deeply by all of us at Music Venue Trust who had the privilege of knowing and working alongside him. There are very few people who shape culture in the consistent way Paul did. His impact can be measured by the thousands of lives he changed, the scenes he nurtured, and the music he made possible. Our thoughts are with his family, friends, and everyone connected to The Adelphi Club. Rest in peace, Paul. Your work will continue to echo from every stage you helped to build.
Huge love to The Lughole in Sheffield, whose commu Huge love to The Lughole in Sheffield, whose community came together in a matter of hours to help the venue hit its fundraising target. The venue have shared: “Everyone at The Lughole would like to give a massive thanks for the overwhelming response we’ve had to our recent fund raiser. The goal we set was smashed in under 5 hours! The punk community we belong to is like no other and we appreciate every one of you. We shall march on together despite the systematic failures that try to keep us down. See you in the pit.” The Lughole is a not-for-profit, volunteer-run venue that’s been supporting Sheffield’s DIY and creative community since opening in 2022. Like many grassroots spaces, it’s now dealing with the real-world impact of how business rates are applied. A backdated valuation left the venue facing several years of charges in one go, including periods before it had even opened. With limited options for relief, the situation escalated to enforcement action, forcing immediate payments that drained reserves and put the venue under serious strain. Their community stepped up, acted fast, and made sure a vital venue could keep its doors open.
Talking with Drowned In Sound founder Sean Adams o Talking with Drowned In Sound founder Sean Adams on this week’s Last Safe Space podcast, we got into the evolving role of music press and online communities in how people discover and share music. How much of that now lives on social media? How much is marketing? How much is still word of mouth? Where do you hear about grassroots shows and emerging artists coming to your town? Let us know. If you're looking for a point in the right direction on this... We have a Gig Guide map of GMVs built into our website at MusicVenueTrust.com powered by Hearby. Go take a look, and also find all our other resources and information you need to arm yourself as a live music activist. 📸 by Georgia Penny
In this episode of The Last Safe Space, Sean Adams In this episode of The Last Safe Space, Sean Adams, founder of the pioneering online music publication Drowned in Sound, joins Toni for a conversation about the role of independent journalism in shaping grassroots music culture. From its beginnings as a late-90s newsletter to becoming one of the most influential music communities of the early internet era, Drowned in Sound helped launch artists, writers and entire scenes. 📺 Watch this episode and catch up on the whole Last Safe Space series on Music Venue Trust’s YouTube, or by following our bio 🔗
MVT welcomes the news that Hackney Council has ref MVT welcomes the news that Hackney Council has refused the first planning application that threatened the future of Moth Club - however, another planning application still looms over this beloved grassroots music venue in East London. Keith Miller from Moth Club says “We finally have some news, the planning application next door to us has been refused, we wholeheartedly welcome this news. It’s the result of a huge amount of hard work from everyone at the venue, the MVT, the NTIA, Save our Scene and all of you, our supporters. You helped make us heard, we did it together. We love you all! But… We’re not fully out of the woods yet, there’s still one adjoining application near the Moth Club we’re fighting against. If we keep pushing and that additional planning is refused, I’m envisaging the greatest party Moth has ever witnessed. Please remember, this isn’t just about Moth Club it’s about every space, in every town or city on the planet.”  MVT now awaits the decision on the other planning application that threatens Moth Club, which is for sub-standard residential units at 6 Morning Lane, backing onto the venue and again with an inadequate consideration for noise impact. MVT hopes that Hackney Council makes the right decision and refuses this one, too.
Sheffield, this is for you. We’ve published a new Sheffield, this is for you. We’ve published a new practical guide focused on grassroots music venues in the city. It looks at how the current network is operating, the pressures venues are facing day to day, and what needs to change to keep them viable. Inside, we cover everything from audience levels and programming to the financial reality of running a venue right now, including business rates, licensing, and the impact of development. It also sets out the role venues play in Sheffield’s wider culture and economy, alongside clear recommendations for local authorities and decision-makers. This is something venues can use. Whether you’re speaking to council, making the case for support, or just trying to understand the landscape you’re operating in, this gives you a solid place to start. Download via our bio 🔗, read it, and use it.
Maniffesto ar gyfer Cerddoriaeth Llawr Gwlad yng N Maniffesto ar gyfer Cerddoriaeth Llawr Gwlad yng Nghymru / A Manifesto for Grassroots Music in Wales ------------------- Ledled Cymru, lleoliadau bychain ydy sylfaen ein diwylliant cerddorol. Dyma lle mae artistiaid ifanc yn dod wyneb yn wyneb â’u cynulleidfaoedd cyntaf; lle mae technegwyr, hyrwyddwyr a rheolwyr yn meithrin a naddu eu crefft, a lle mae cymunedau’n dod ynghyd. O Wrecsam i Abertawe, o Aberteifi i Gaerdydd, y rhain sy’n cynnal economi’r hwyrnos ac enw da’r genedl ar y llwyfan ryngwladol. Bellach, mae gormod o’r rhain yn colli arian. Mae’r rhyddhad ar drethi wedi ei dorri, mae canllawiau diogelu cynllunio yn wan, cysylltiadau trafnidiaeth yn gyfyngedig, ac mae’r nawdd sydd ar gael yn aml yn methu’r union bobl sydd fwyaf ei angen. Gall y Senedd nesaf unioni’r cam hwn. Isadeiledd ydy diwylliant. Diwydiant ydy cerddoriaeth. Mae sicrhau cefnogaeth i’r sylfeini yn diogelu popeth sy’n tarddu ac yn deillio ohoni. ------------------- Across Wales, small venues are the foundation of our music culture. They are where young artists find their first audiences, where technicians, promoters and managers learn their craft, and where communities come together. From Wrexham to Swansea, from Cardigan to Cardiff, they power the night-time economy and the nation’s international reputation. Too many of these rooms are now running at a loss. Rates relief has been cut, planning protections are weak, transport links are limited, and funding often misses the people who need it most. The next Senedd can fix this. Culture is infrastructure. Music is industry. Supporting the base protects everything that grows from it. 🔗 in bio to read in full.
A huge thanks to everyone who joined us at Venues A huge thanks to everyone who joined us at Venues Day 2026 last week. It was a fantastic day where the grassroots music sector got to be in the same room. Venue operators, artists, policymakers, and partners from across England, Scotland, Wales and Northern Ireland - all coming together to talk honestly about the challenges, share solutions, and push the sector forward. But the most important part of Venues Day is always the same thing: the conversations. The new connections made over coffee, the ideas shared in corridors, and the sense that this is a community that shows up for each other. A huge thank you to everyone who travelled from across the UK to be there, to our speakers, our team, and partners who shared their knowledge, and to the venue community that continues to prove how strong this network really is. 📸 by @georgiapennyphoto
The average person in Britain has around £26.99 in The average person in Britain has around £26.99 in loose change or forgotten cash lying around the house. That’s basically two grassroots gig tickets. Stick your hand down the side of the sofa, check the coat you haven't worn for a few years, raid the jam jar on the kitchen shelf… and you and a mate could be out seeing live music tonight. As our Annual Report covered, the average grassroots ticket price last year rose from £11.48 to £11.56. An increase of just 8p. In a time when the cost of almost everything else has surged, grassroots venues have worked incredibly hard to keep live music accessible. So yes, it might feel like loose change. But that £11.56 helps pay the sound engineer, the staff on the door, the electricity bill, and the artists on stage. It keeps venues open and the pipeline of live music alive. A proper night out.. for something you might find down the back of the sofa.
Over the last few months we’ve been sharing ideas Over the last few months we’ve been sharing ideas from The Ethical Venues Project, exploring the values that connect communities and the impact that small decisions can have on belonging, ethics and the role venues play in public life. The project was developed together with Conway Hall. This week on The Last Safe Space podcast via our bio 🔗, we’re joined by Conway Hall’s Jim Walsh to talk about what being an ethical venue means in 2026, and what venues can do to remain welcoming, responsible spaces at the heart of their communities. Because grassroots venues are for everybody. And so making sure they remain safe, inclusive places really matters.
MVT is proud to have partnered with Culture Sheffi MVT is proud to have partnered with Culture Sheffield, Sheffield Independent Venues Alliance, and Sheffield City Council to deliver a Planning Best Practice Guide for grassroots music venues. We’ll be launching the guide next Wednesday 25 March from 6pm at Yellow Arch Studios. Come along and join us to explore how new developments and grassroots venues can successfully co-exist! 🎟️ Grab tickets from the 🔗 in our bio.
If you care about grassroots music venues, everyth If you care about grassroots music venues, everything you need is at MusicVenueTrust.com We’ve spent years building the tools, the data, and the infrastructure to support this sector properly. It’s all public. It’s all accessible. And it’s all there to be used. From the most detailed annual report on grassroots venues anywhere in the world, to regular updates, practical resources, and straight-talking conversations about what’s actually going on... this is the work. To protect venues, and build a stronger future for live music, we all need access to the same tool chest. So take five minutes - Get informed, subscribe to our newsletter and podcast, download the Annual Report, look out for IRL events, and visit our resources pages to see how you can join us. Either as a venue, artist, investor, campaigner, promoter, or supporter.
A huge congratulations to our Outstanding Contribu A huge congratulations to our Outstanding Contribution Award winners at Venues Day 2026. The fantastic Lord Kevin Brennan & Dame Caroline Dinenage MP who continue to fight for grassroots music in parliament and have already spearheaded some phenomenal change for our sector. Thank you both, from everyone at MVT. ✨
For those who haven't downloaded and dissected it For those who haven't downloaded and dissected it yet, we’ll be taking a deep dive into our Annual Report at Venues Day 2026, unpacking the last year across the grassroots music venue sector. We’re at the start of what we believe will be an incredibly important chapter for grassroots venues. But it’s vital that everyone understands the data, the questions, the answers, and the plan for what comes next. Join us as we break it all down and share the information you need to be fully equipped for the year ahead. ⏰ Venues Day starts at 10am Tuesday with registration, coffee and networking, at Shoreditch Town Hall. 👀 Find the Annual Report at MusicVenueTrust.com
Opening May 30 at the V&A, South Kensington, is th Opening May 30 at the V&A, South Kensington, is the Lost Music Venues exhibition - Featuring around 50 ‘lost’ performance spaces from the 1980s to 2010s. The display celebrates music venues as centres of creativity, shining a light on both their cultural contribution and the challenges they face as a sector. So while we're working to protect every last venue we have, we wanted to ask you - which venue hits hardest?
Living your values isn’t a fixed destination - it’ Living your values isn’t a fixed destination - it’s an ongoing practice. Every venue learns by listening, adapting, and responding to the needs of the people who use the space. Reflection in action means being willing to adjust, try new approaches, and let feedback shape the culture. Ethics aren’t rigid rules; they're a guiding compass, shaped through everyday actions and reinforced each time a venue chooses care, accountability, and openness. By staying responsive rather than static, venues continually renew their commitment to creating spaces where everyone feels safe, respected, and connected. The way a venue acts sets the tone for everyone inside, shaping interactions, fostering trust, and sustaining a community that thrives on shared values. The Ethical Venues project, developed by MVT, in partnership with Conway Hall, helps venues show how their values are actively lived and evolving. By highlighting the decisions and behaviours that respond to feedback and community needs, venues can make clear how their culture grows and adapts. 📸: Mike Rushton
Legends has been part of Edinburgh’s alternative m Legends has been part of Edinburgh’s alternative music ecosystem for more than three decades. Its closure marks the loss of a long established grassroots music venue that provided a home for the city’s rock, metal, punk and alternative communities. For generations of musicians and fans, Legends was more than a venue. It was a place to belong. Known for its tight knit community of staff, regulars, artists and audiences, it became one of the most recognisable homes for rock and metal in Edinburgh and a defining part of the Cowgate’s independent nightlife. Spaces like Legends play a vital role in sustaining underground culture. They give emerging artists somewhere to start, provide communities with somewhere to gather, and allow alternative scenes to grow on their own terms. When a venue like this disappears, the impact reaches far beyond the stage. What we are hearing most clearly from the public is that these spaces are now increasingly rare in the city for the community that Legends served. That absence will be deeply felt by the artists, fans and local scene who relied on it as their meeting point, creative outlet and cultural home. The loss of Legends is not just the closure of a venue. It is the loss of a space that helped shape Edinburgh’s musical identity for more than thirty years.
There’s a simple truth about grassroots music venu There’s a simple truth about grassroots music venues, and that is the pint funds the pipeline. In most venues, live music itself can run at a loss. The bar keeps the lights on, pays the staff, and gives new artists a stage to play on. That’s the economic reality of grassroots music. Yet the tax system treats alcohol bought in a venue almost exactly the same as the cheapest high-strength alcohol sold in supermarkets. Around £1 in every £3 spent at the bar goes straight to the Treasury before venues have paid rent, wages, energy bills, artists, promoters, and all the other livelihoods that depend on that gig. If the UK wants thriving high streets, healthier communities and a stronger music industry, policy needs to recognise that difference and offer the right level of support to venues.
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Music Venue Trust
12 hours ago
Music Venue Trust

Huge love to The Lughole in Sheffield, whose community came together in a matter of hours to help the venue hit its fundraising target.

The venue have shared: “Everyone at The Lughole would like to give a massive thanks for the overwhelming response we’ve had to our recent fund raiser. The goal we set was smashed in under 5 hours! The punk community we belong to is like no other and we appreciate every one of you. We shall march on together despite the systematic failures that try to keep us down. See you in the pit.”

The Lughole is a not-for-profit, volunteer-run venue that’s been supporting Sheffield’s DIY and creative community since opening in 2022. Like many grassroots spaces, it’s now dealing with the real-world impact of how business rates are applied. A backdated valuation left the venue facing several years of charges in one go, including periods before it had even opened. With limited options for relief, the situation escalated to enforcement action, forcing immediate payments that drained reserves and put the venue under serious strain.

Their community stepped up, acted fast, and made sure a vital venue could keep its doors open. ... See MoreSee Less

Huge love to The Lughole in Sheffield, whose community came together in a matter of hours to help the venue hit its fundraising target. The venue have shared: “Everyone at The Lughole would like to give a massive thanks for the overwhelming response we’ve had to our recent fund raiser. The goal we set was smashed in under 5 hours! The punk community we belong to is like no other and we appreciate every one of you. We shall march on together despite the systematic failures that try to keep us down. See you in the pit.” The Lughole is a not-for-profit, volunteer-run venue that’s been supporting Sheffield’s DIY and creative community since opening in 2022. Like many grassroots spaces, it’s now dealing with the real-world impact of how business rates are applied. A backdated valuation left the venue facing several years of charges in one go, including periods before it had even opened. With limited options for relief, the situation escalated to enforcement action, forcing immediate payments that drained reserves and put the venue under serious strain. Their community stepped up, acted fast, and made sure a vital venue could keep its doors open.
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Music Venue Trust
4 days ago
Music Venue Trust

Talking with Drowned In Sound founder Sean Adams on this week’s Last Safe Space podcast, we got into the evolving role of music press and online communities in how people discover and share music.

How much of that now lives on social media? How much is marketing? How much is still word of mouth?

Where do you hear about grassroots shows and emerging artists coming to your town?

Let us know.

If you're looking for a point in the right direction on this... We have a Gig Guide map of GMVs built into our website at MusicVenueTrust.com powered by Hearby. Go take a look, and also find all our other resources and information you need to arm yourself as a live music activist.

📸 by Georgia Penny ... See MoreSee Less

Talking with Drowned In Sound founder Sean Adams on this week’s Last Safe Space podcast, we got into the evolving role of music press and online communities in how people discover and share music. How much of that now lives on social media? How much is marketing? How much is still word of mouth? Where do you hear about grassroots shows and emerging artists coming to your town? Let us know. If youre looking for a point in the right direction on this... We have a Gig Guide map of GMVs built into our website at MusicVenueTrust.com powered by Hearby. Go take a look, and also find all our other resources and information you need to arm yourself as a live music activist. 📸 by Georgia Penny
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Music Venue Trust
5 days ago
Music Venue Trust

In this episode of The Last Safe Space, Sean Adams, founder of the pioneering online music publication Drowned in Sound, joins Toni for a conversation about the role of independent journalism in shaping grassroots music culture. From its beginnings as a late-90s newsletter to becoming one of the most influential music communities of the early internet era, Drowned in Sound helped launch artists, writers and entire scenes.

📺 Watch this episode and catch up on the whole Last Safe Space series on Music Venue Trust’s YouTube at youtu.be/UWIebwZuCKM ... See MoreSee Less

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Music Venue Trust
5 days ago
Music Venue Trust

MVT welcomes the news that Hackney Council has refused the first planning application that threatened the future of Moth Club - however, another planning application still looms over this beloved grassroots music venue in East London.

Keith Miller from Moth Club says “We finally have some news, the planning application next door to us has been refused, we wholeheartedly welcome this news. It’s the result of a huge amount of hard work from everyone at the venue, the MVT, the NTIA, Save our Scene and all of you, our supporters. You helped make us heard, we did it together. We love you all! But… We’re not fully out of the woods yet, there’s still one adjoining application near the Moth Club we’re fighting against. If we keep pushing and that additional planning is refused, I’m envisaging the greatest party Moth has ever witnessed. Please remember, this isn’t just about Moth Club it’s about every space, in every town or city on the planet.”

MVT now awaits the decision on the other planning application that threatens Moth Club, which is for sub-standard residential units at 6 Morning Lane, backing onto the venue and again with an inadequate consideration for noise impact. MVT hopes that Hackney Council makes the right decision and refuses this one, too. ... See MoreSee Less

MVT welcomes the news that Hackney Council has refused the first planning application that threatened the future of Moth Club - however, another planning application still looms over this beloved grassroots music venue in East London. Keith Miller from Moth Club says “We finally have some news, the planning application next door to us has been refused, we wholeheartedly welcome this news. It’s the result of a huge amount of hard work from everyone at the venue, the MVT, the NTIA, Save our Scene and all of you, our supporters. You helped make us heard, we did it together. We love you all! But… We’re not fully out of the woods yet, there’s still one adjoining application near the Moth Club we’re fighting against. If we keep pushing and that additional planning is refused, I’m envisaging the greatest party Moth has ever witnessed. Please remember, this isn’t just about Moth Club it’s about every space, in every town or city on the planet.” MVT now awaits the decision on the other planning application that threatens Moth Club, which is for sub-standard residential units at 6 Morning Lane, backing onto the venue and again with an inadequate consideration for noise impact. MVT hopes that Hackney Council makes the right decision and refuses this one, too.Image attachmentImage attachment+2Image attachment
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Music Venue Trust
6 days ago
Music Venue Trust

Sheffield, this is for you. We’ve published a new practical guide focused on grassroots music venues in the city. It looks at how the current network is operating, the pressures venues are facing day to day, and what needs to change to keep them viable.

Inside, we cover everything from audience levels and programming to the financial reality of running a venue right now, including business rates, licensing, and the impact of development. It also sets out the role venues play in Sheffield’s wider culture and economy, alongside clear recommendations for local authorities and decision-makers.

This is something venues can use. Whether you’re speaking to council, making the case for support, or just trying to understand the landscape you’re operating in, this gives you a solid place to start.

Download at bit.ly/4dJJwsb, read it, and use it. ... See MoreSee Less

Sheffield, this is for you. We’ve published a new practical guide focused on grassroots music venues in the city. It looks at how the current network is operating, the pressures venues are facing day to day, and what needs to change to keep them viable. Inside, we cover everything from audience levels and programming to the financial reality of running a venue right now, including business rates, licensing, and the impact of development. It also sets out the role venues play in Sheffield’s wider culture and economy, alongside clear recommendations for local authorities and decision-makers. This is something venues can use. Whether you’re speaking to council, making the case for support, or just trying to understand the landscape you’re operating in, this gives you a solid place to start. Download at https://bit.ly/4dJJwsb, read it, and use it.Image attachment
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Music Venue Trust is a charity registered with the Charity Commission of England and Wales, registration no: 1159846.
Music Venue Trust (Scotland) is a charity registered with the Office of the Scottish Charity Regulator: Charity Number SC052001
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